Now that I'm safely back in the states, I have a moment to reflect on my month in Toronto. I had a good time in Canada's largest city and can easily see myself living there. Toronto itself is home to 2.5 million people and greater Toronto boasts 8 million residents. The diversity of those 8 million people was obvious whenever I walked down the street (Toronto is second only to Miami in terms of foreign born residents). I lived in the city's downtown core, but found many of its neighborhoods an easy walk or streetcar ride away. I dug Toronto.
Toronto has an extensive network of streetcars in addition to their subway system. While the trolleys were quite crowded at rush hour, at the times that I needed them I found them quite pleasant.
Spamalot's home in Toronto was the Canon Theatre. The Canon opened in 1920 as the Pantages Theatre, a vaudeville and movie house. It was a part of the Pantages circuit until the sudden and scandalous end of the Pantages empire in 1930 (when Alexander Pantages was accused of raping an underage chorus girl - he was later exonerated). The theatre was then renamed the Imperial and became a movie house for most of the next 60 years. In the 70's and 80's the building was divided into 6 movie theatres (1 theatre was built on the stage and another was constructed in the trap room). A property dispute allowed Garth Drabinsky (later of Livent infamy) to buy half of the building. This sparked an ownership fight that resulted in Drabinsky gaining control over the whole building and reopening it in 1989 as the Pantages and home to The Phantom of the Opera for more than a decade. When Livent went bankrupt, the theatre was bought by Clear Channel and then by Mirvish (sort of the Schuberts of Toronto - they seem to own every theatre). The Canon Company of Canada bought the naming rights to the theatre in 2001.
Like many older theatres, space at the Canon was tight. Fortunately, Spamalot has played the theatre for more than two months in the early days of the tour and much of the paperwork for condensing things was still in the computer. Francesca spent a good deal of her load-in working through the problems realted to the lack of space. The company quickly adapted to crossing from one side of the stage to the other through the basement and we settled in for our month-long run.
The Canon has two "front doors" - this one is on the busy Yonge Street. Patrons enter this door and cross over the alley on a raised bridge to reach the theatre's lobby.
Sound check on the stage at the Canon
Until recently, the Canon was home to We Will Rock You, The Queen Musical - they left these signs behind all over the theatre. I can only imagine...
As I said, the first two weeks were pretty quiet, I didn't do a lot of sight-seeing. I spent much of the second week planning a little Monday get-away. For our second week in Toronto, we played a Wednesday matinee but no Sunday evening show - this meant an extra long weekend! We all walked out of the stage door at 4:30, while the sun was still in the sky, and didn't have to be back until show time on Tuesday. I took a trip "up north" to Algonquin Provincial Park. I had a great time and I'll detail that side trip in another post.
In our third week, Spamalot welcomed several new cast members. Candy Olsen, Carissa Lopez and Matthew Greer all joined the company and began rehearsal in Toronto. Their rehearsals took up several afternoons both onstage and in a rehearsal studio. After 20 months with the show, it has become second nature to me now - but watching new people learn it for the first time and give it their spin and energy is good for me. While rehearsals can be sort of a drag, they can also help keep the show fresh.
Roy helps Matthew with his maiden voyage in the Ni Knight costume and stilts
Shortly after she joined the company, Candy celebrated a birthday!
I went for a walk one of the afternoons I wasn't in rehearsal hoping to see the Ontario Legislature Building (there's a photo in my Toronto Cityscape Blog) and ended up at the Royal Ontario Museum. I didn't really know anything about the place, but decided to check it out. Turns out, the place has a huge collection (more than 6 million items in 40 galleries) and is the 5th largest museum in North America. I had no idea. I spent 3 or 4 hours there, just wandering around. During my brief visit I saw exhibits on dinosaurs, Canadian First Nations, Canadian Colonial History, ancient Egypt, dynastic China and Korean history. I left at the end of my visit with 2/3 of the museum unexplored!
No matter how many times I see them, mummies are endlessly interesting
The museum had a big collection of dinosaurs on display - including this stegosaur
This piece hung in the Eaton Centre Mall. It was a series of giant inflatable rings stacked on top of one another, lit from above and slowly rotating. The effect was mesmerizing.
An artist covered this alley with a drop ceiling and fluorescent lighting to bring the outdoors in and then artistically arranged "garbage".
On Sunday, Spamalot said goodbye not only to Toronto, but to 3 company members as well. Patrick Heusinger (Sir Lancelot), Bree Branker (Ensemble) and Tara-Lee Polin (Assistant Dance Captain) all headed for greener pastures with our closing in TO. Patrick's Mom emailed me and asked me to take some snaps of his final performance. I called the last show, but I did bring my camera along while I ran the deck at the matinee and managed to get a few really good photos during the show. An album of all of them is on snapfish, but I'll wrap up this post with some of my favorites:
Tera-Lee and Matt in the Wedding/Finale
1 comment:
You rock! Thanks for the parting of shots of Paddy and all the faces that we'd come to know as part of the Spamily. I really enjoyed being able to see the show from your perspective too. How cool is that!?!
Via con dios.... PaddyMom
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